If you find the pull-off note a little hard to reach (the one with your fourth finger), don't worry - you can choose heaps of notes outside of the arpeggio to play which are easier to reach when you're soloing, it's just for theory and practice purposes we need to stick to the exact triad. It's a fantastic warmup exercise and won't take very long to practice.Īll up, when we're talking about major and minor triad shapes on the top three strings, there are only 6 in total you need to learn: If that all seems pretty easy, you can now get out the metronome and gradually build up the speed. Once you can get the pattern, try moving between the two shapes (Am and Dm), focussing on having no gaps while playing, even if that means playing it very slowly. Focus on smooth, controlled movements, not speed. Don't hold down a full chord shape as it will ring together and sound messy. I don't care how slow you have to do it, get it memorised, as you do not want to have to relearn this step later.įor your fretting hand, you only want to fret one note at a time. Pick DOWN or UP on the top string (it depends a little on where your pick was before you started the pattern)īe absolutely certain you have got this picking pattern correct before you move on.That's all well and good, I hear you say, but how do you actually play it?įor your picking hand, the full, 6 note pattern would go like this: Here's an exercise that moves between Am and Dm using the exact same shape. My favourite to get students started is the root 2 minor shape, which has the root note on the second string. On the top 3 strings, there are 3 major triad shapes and 3 minor triad shapes. Basically, when you get the speed up, it sounds like a blur of notes that all work together very nicely. More commonly, it's used as a super fast technique in lead playing for moving between arpeggio shapes all over the guitar (sometimes 3 strings, sometimes more). You'll be surprised how easy it is!īasically, a sweep is when we pull through the strings of the guitar in order, either up or down, then go back the other way.įor example, if I was to play an open Em chord and just pick from the low E to the high E with downstrokes, then go back up the guitar with upstrokes, I've just performed a 6 string sweep. So, before you tell me "I'm not good enough to do sweep picking", read this article and try the exercises. Sweep picking is NOT an advanced technique.Ĭhances are, if you give any beginner a guitar and ask them to play any of the shapes I'm going to give you, they'll probably use sweep picking straight off the bat without even knowing what it is, because it is the most logical way of playing certain phrases on the guitar. When to use sweep picking to match your melodies to the rhythm sectionīefore we begin, let me clear up one myth around sweep picking.The best shapes to use when sweep picking in solos.We've already looked at some great ways to build up and use your alternate picking skills in solos and rhythm playing, so this week we're going to look at the basics of straight sweep picking, including: I had less time for blog writing than I expected on our Japanese Tour! Here, I added an A major triad over the D chord in measure 1 and a D major triad over G to create movement.Sorry guys - I'm a couple of weeks late on our ongoing series comparing Alternate Picking vs. He often outlines specific triads on the top strings to create different harmonies. Jason's trademark sweeps move through different inversions of the same arpeggio to create a sequenced or cascading sound. 1, but we're moving through different diatonic arpeggios in the key of D. It's mostly the same triplet pattern of Ex. Jason Becker is an absolute sweep-picking legend and Ex. It'll keep you motivated and expand your vocabulary quicker. If you get stuck, move on and come back to it after a couple of weeks of having worked on other sweep licks. Go back to them every now and then and see how you improved-but don't spend forever on one example. You don't have to be perfect, but you should be comfortable with the technique. If you're new to this technique, spend some quality time with the previous examples and speed them up a bit before tackling these. Let's dive into more advanced musical examples.
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